CAJ | 학술논문

明末清初苏州画家黄向坚至云南大姚寻亲，其以寻亲旅途所历风物绘制了一系列以寻亲为主题的山水画，其中有数幅即以大理山水风物为描绘对象。参照大理风物的实际样貌，运用图像学的方法解读画面的景物构图、题跋印章以及风格情调，以窥探黄向坚作品的精神内涵，揭示黄向坚为代表的晚明文人画家对大理山水风物的认同与赞赏。
명말청초소주화가황향견지운남대요심친，기이심친려도소력풍물회제료일계렬이심친위주제적산수화，기중유수폭즉이대리산수풍물위묘회대상。삼조대리풍물적실제양모，운용도상학적방법해독화면적경물구도、제발인장이급풍격정조，이규탐황향견작품적정신내함，게시황향견위대표적만명문인화가대대리산수풍물적인동여찬상。
In the late Ming and early Qing Dynasty,Suzhou artist HUANG Xiangjian travelled to Dayao of Yunnan for his parents. He painted a series of landscape paintings on the trip,several of which were based on Dali landscape. The paper applied philosophy and iconography to interpret these works according to the actual appearance of Dali. Focusing on the analysis of the composition,post-script,seals and style,we revealed the spirit of works of HUANG Xiangjian,further pointed out the recognition and appreciation of Dali landscape and culture by literati painters in late Ming dynasty.