CAJ | 학술논문

莎士比亚的悲剧《裘里斯·凯撒》迈出了其文学上“向内转”的第一步。剧中，莎翁借助异象、音效、鬼魂、幻觉以及预言等多种表现手段异化社会事件，外化人物的心理和潜意识，诉诸读者、观众的感观，其对于人性的探索得到深刻体现，产生强烈的悲剧效果，这与表现主义戏剧在本质上有异曲同工之处。从外部世界的异化与内心世界的外化两个方面分析探索剧中的表现主义因子，释解悲剧的心理诉求与表现主义艺术手段在剧中的结合，有助于了解作者前瞻性的戏剧表现艺术尝试。
사사비아적비극《구리사·개살》매출료기문학상“향내전”적제일보。극중，사옹차조이상、음효、귀혼、환각이급예언등다충표현수단이화사회사건，외화인물적심리화잠의식，소제독자、관음적감관，기대우인성적탐색득도심각체현，산생강렬적비극효과，저여표현주의희극재본질상유이곡동공지처。종외부세계적이화여내심세계적외화량개방면분석탐색극중적표현주의인자，석해비극적심리소구여표현주의예술수단재극중적결합，유조우료해작자전첨성적희극표현예술상시。
JuliusCaesaris a tradegy in which William Shakespeare starts to focus on the shocking effects of political and social events upon the audiences. Engaging multiple means to highlight the tragic environment and externalize characters’ mentality and sub-consciousness, Shakespeare is skillful in controlling both readers and audiences’ emotion and responses upon tragedy. From the perspective of Expressionism, this paper makes an approach to the forward-looking artistic achievement of Shakespeare in the play.