CAJ | 학술논문

从避免以貌取人，发展到避讳美貌，这是儒家传统人学的一个实在倾向，《韩诗外传》关于“美士”的相关论述，说明这个实在的倾向不是一开始就有的，相反，七十子时代对于人格美人体美之类问题的看法完全不同于后世刻板寡欲的面貌，显得十分生动鲜活。能以一种文化全局性高度和概括总结的眼光来看人的体貌，《外传》论美士应是首发。如果坚持说魏晋时代文人的自我觉醒是个标志，则汉初的体貌人学尚属初识。《外传》看体貌的理论也代表了中国古代一直坚持的特点，宏观与微观结合，内容与形式结合，相术与艺术形象描写的最显著区别，是相术先进入微观领域，后来专业的研究不亚于近代西方的人体测量，而文学描写总是放不下精神整体的观照。
종피면이모취인，발전도피휘미모，저시유가전통인학적일개실재경향，《한시외전》관우“미사”적상관논술，설명저개실재적경향불시일개시취유적，상반，칠십자시대대우인격미인체미지류문제적간법완전불동우후세각판과욕적면모，현득십분생동선활。능이일충문화전국성고도화개괄총결적안광래간인적체모，《외전》론미사응시수발。여과견지설위진시대문인적자아각성시개표지，칙한초적체모인학상속초식。《외전》간체모적이론야대표료중국고대일직견지적특점，굉관여미관결합，내용여형식결합，상술여예술형상묘사적최현저구별，시상술선진입미관영역，후래전업적연구불아우근대서방적인체측량，이문학묘사총시방불하정신정체적관조。
Traditionally , Confucians avoid judging people by outward appearance and then evade good looks . Related discuss in Tale of Han Ying’ s Collection of Poetry shows that this tendency has had a history .In the time of Confucius, the ides about beauty of personality and human body was fresh and alive , totally different from the in-flexible attitude of later times .The discussion on beautiful man in Tale of Han Ying’ s Collection of Poetry should be the first comment on human body in a comprehensive cultural height and a general sight .If the self-consciousness is the sign of the literati in the Wei and Jin dynasties , the study on posture and facial features in the early Han dy-nasty has just begun .The theory on posture and facial features in the book concludes the macroscopic and micro-scopic view and combines the content and form .