南方建筑
南方建築
남방건축
SOUTH ARCHITECTURE
2013年
6期
77-85
,共9页
刘既漂%美术建筑%历程%解读%调和中西%中国新建筑风格
劉既漂%美術建築%歷程%解讀%調和中西%中國新建築風格
류기표%미술건축%역정%해독%조화중서%중국신건축풍격
Liou KiPaul%Art Architec-ture%Progress%Interpretation%Blending China and West%Chinese New Architecture
本文以刘既漂及其“美术建筑”为研究对象,与以往相关研究过度依赖其西湖博览会设计不同,笔者更加关注其美术建筑探索、形成和实践的整个历程,尤其重视其以往被忽略的西湖博览会前基于美术建筑思想的方案创想和西湖博览会后的设计实践。笔者认为前者更能体现其创作思想和手法,后者则更具实践意义,而从三者的对比中能更加清晰的了解其理论与实践之间的差距。在梳理其“美术建筑”历程的基础上,文章进一步运用西梅尔斯坦提出的理论解读方法,从“美术建筑”是什么?如何产生?目的何在?如何达到目的?目标听众是谁?如何呈现与推广?效果、评价及影响如何?等七个方面对其进行全面解读。
本文以劉既漂及其“美術建築”為研究對象,與以往相關研究過度依賴其西湖博覽會設計不同,筆者更加關註其美術建築探索、形成和實踐的整箇歷程,尤其重視其以往被忽略的西湖博覽會前基于美術建築思想的方案創想和西湖博覽會後的設計實踐。筆者認為前者更能體現其創作思想和手法,後者則更具實踐意義,而從三者的對比中能更加清晰的瞭解其理論與實踐之間的差距。在梳理其“美術建築”歷程的基礎上,文章進一步運用西梅爾斯坦提齣的理論解讀方法,從“美術建築”是什麽?如何產生?目的何在?如何達到目的?目標聽衆是誰?如何呈現與推廣?效果、評價及影響如何?等七箇方麵對其進行全麵解讀。
본문이류기표급기“미술건축”위연구대상,여이왕상관연구과도의뢰기서호박람회설계불동,필자경가관주기미술건축탐색、형성화실천적정개역정,우기중시기이왕피홀략적서호박람회전기우미술건축사상적방안창상화서호박람회후적설계실천。필자인위전자경능체현기창작사상화수법,후자칙경구실천의의,이종삼자적대비중능경가청석적료해기이론여실천지간적차거。재소리기“미술건축”역정적기출상,문장진일보운용서매이사탄제출적이론해독방법,종“미술건축”시십요?여하산생?목적하재?여하체도목적?목표은음시수?여하정현여추엄?효과、평개급영향여하?등칠개방면대기진행전면해독。
Taking Liou KiPaul and his“Art Architecture” as research objects, this paper is different to other related researches which depended more on his design of West Lake Expo. This paper pays more attention to his concept design before West Lake Expo and his design practice after West Lake Expo. The former shows more about his design theory and method, the latter makes more sence on the respect of practice. And then, by using Himmelstein’s way of reading theoy and through answering seven questions such as:What is Art Architecture? How it comes into being? What is its purpose? How to achieve this aim? Who are the supposed audiences? How this idea presented and disseminated? How are the affection, evaluation and influence?, this paper intends to get a comprehensive interpretation about Liou KiPaul and his“Art Architecture”.