CAJ | 학술논문

将仰韶文化作为研究对象，探讨了仰韶彩陶纹饰的分类问题，进而分别从彩陶纹饰所在的地理位置以及纹饰、器形三个方面考察了彩陶纹饰与器物造型的关系，以此为基础，讨论了借用“鱼纹”纹理设计的系列抱枕和借用“花瓣纹”形象设计的移动存储器，总结这两个实践，强调应用仰韶彩陶纹饰进行创意设计不仅可以提高艺术设计的水平，而且能够将中国传统文化发扬光大。
장앙소문화작위연구대상，탐토료앙소채도문식적분류문제，진이분별종채도문식소재적지리위치이급문식、기형삼개방면고찰료채도문식여기물조형적관계，이차위기출，토론료차용“어문”문리설계적계렬포침화차용“화판문”형상설계적이동존저기，총결저량개실천，강조응용앙소채도문식진행창의설계불부가이제고예술설계적수평，이차능구장중국전통문화발양광대。
Taking the Yang-shao culture as the research object, this paper ifrst explores the categories of painted pottery designs, and then investigates the relationship between pottery designs and modeling through three aspects, such as the geographical location, decorations and shape of the painted pottery. On this basis, it has respectively discussed that a series of pillows is designed by taking the ideas of“ifsh’s body”and the removable storage device is designed by borrowing the ideas from the shape of petal patterns. Combined with the above analysis, we have emphasized that creative designing with painted pottery cultures not only improves the level of artistic designing, but also brings traditional Chinese culture to a greater height of development.