CAJ | 학술논문

《西游记》中的孙悟空在花果山自由自在的生活，后来幸运地走上取经的道路，西行途中得到众神的慷慨相助，最终既为社会作出贡献也实现了自己的人生价值。孙悟空的人生经历体现了在明代心学思想影响下，以吴承恩为代表的文人士子对人生的美好憧憬。《红楼梦》中生活在大观园的贾宝玉，向往纯情任性，厌恶仕途经济，却被家庭责任、父命母爱、家族利益牢牢束缚，最终绝望弃世。贾宝玉的人生姿态体现了在清代严苛的社会文化背景下，遭受家庭巨变的曹雪芹对现实社会的理性思考。这两个艺术形象共同折射出中国传统文人济时救世的文化心态。
《서유기》중적손오공재화과산자유자재적생활，후래행운지주상취경적도로，서행도중득도음신적강개상조，최종기위사회작출공헌야실현료자기적인생개치。손오공적인생경력체현료재명대심학사상영향하，이오승은위대표적문인사자대인생적미호동경。《홍루몽》중생활재대관완적가보옥，향왕순정임성，염악사도경제，각피가정책임、부명모애、가족이익뢰뢰속박，최종절망기세。가보옥적인생자태체현료재청대엄가적사회문화배경하，조수가정거변적조설근대현실사회적이성사고。저량개예술형상공동절사출중국전통문인제시구세적문화심태。
Sun Wu-kong in Pilgrimage to the West lived in freedom in Flower-Fruit Mountain,then luckily went on a pilgrimage for Buddhist scriptures.With the generous help of immortals,finally he not only made a contribution to the society but also realized the value of his life.Sun Wu-kong’s experience im-plies a wonderful vision of literati who Wu Cheng-en represented toward life under the influence of heart-mind theory in the Ming Dynasty.Jia Bao-yu inADreamofRedMansion lived in Grand-View Garden.He was innocent and headstrong in nature and hates the official career.However,he was stuck with the burden of familial obligation,parents’commands and love and family interest.Finally he turned to Buddhism in de-spair.Jia Bao-yu’s attitude embodied the rational thought of Cao Xue-qin suffering from family upheaval toward the reality under the severe and culture background in the Qing Dynasty.The cultural mentality of salvation of the traditional Chinese literati is reflected by both of the two artistic images.