CAJ | 학술논문

以“雷雨”“日出”“原野”和“北京人”为代表的象征性戏剧意象的构思和创造，使得曹禺的四大悲剧在传达深刻理性精神（暴露性与批判性）的同时，又融含着一种超现实的、形而上的追问，即：对于“命运”的体认与思索。
이“뇌우”“일출”“원야”화“북경인”위대표적상정성희극의상적구사화창조，사득조우적사대비극재전체심각이성정신（폭로성여비판성）적동시，우융함착일충초현실적、형이상적추문，즉：대우“명운”적체인여사색。
Composition and creation of the symbolic drama imagery,with the representative of“Thunderstorm”,“Sunrise”,“Field”and “Beijing People”,not only convey the profound rational spirit (exposure and critical)in Cao Yu’s four tragedies,but also include a surreal and metaphysical inquiry about fate,namely,recognizing and thinking “fate”.