CAJ | 학술논문

拉什著名的风险文化概念是其美学维度自反性现代化自我建构的终极产物，与贝克的风险社会有根本的区别。从美学维度自反性现代化与风险文化之间的因果关系出发，根据美学维度自反性现代化主体、思维模式、传播媒介等方面在风险境遇中的演化趋势，对风险文化的生成原因进行剖析及反思。
랍십저명적풍험문화개념시기미학유도자반성현대화자아건구적종겁산물，여패극적풍험사회유근본적구별。종미학유도자반성현대화여풍험문화지간적인과관계출발，근거미학유도자반성현대화주체、사유모식、전파매개등방면재풍험경우중적연화추세，대풍험문화적생성원인진행부석급반사。
T he famous concept of risk culture is the ultimate construction result of Lash ’s reflexive modernization in aesthetic dimension ,which has a fundamental difference with Beck’s risk society .The paper analyzes and reflects the causes of the formation of risk culture from casual relationships between reflexive modernization of aesthetic dimension and the risk culture ,which is based on the evolution trends of the subject of the reflexive modernization of aesthetic dimension ,thinking mode ,media in risk situations .