CAJ | 학술논문

姜秋霞提出的“格式塔意象”语言转换模式虽然实现了格式塔心理学与翻译美学的完美结合，却没有规定格式塔意象图式的具体构建细节。通过对林语堂《浮生六记》的英译本进行多角度的细致剖析，笔者发现格式塔意象的再造过程涉及受众主体的审美心理和译者自身的认知结构，源文本格式塔质的还原程度与语言节奏的审美功能、文化距离的动态平衡及整体意象的对等转换密切相关，从认知层面对格式塔意象进行细节描述具有可行性和有效性。
강추하제출적“격식탑의상”어언전환모식수연실현료격식탑심이학여번역미학적완미결합，각몰유규정격식탑의상도식적구체구건세절。통과대림어당《부생륙기》적영역본진행다각도적세치부석，필자발현격식탑의상적재조과정섭급수음주체적심미심리화역자자신적인지결구，원문본격식탑질적환원정도여어언절주적심미공능、문화거리적동태평형급정체의상적대등전환밀절상관，종인지층면대격식탑의상진행세절묘술구유가행성화유효성。
Gestalt psychology is widely used in numerous fields of humanities and social sciences due to its universal effect. In the study of literary translation , Nida, Holmes and Bell successively raise disparate transformation patterns between two languages , directing the research orientation of translation to the operating mechanism of the translator’s psychological cognition. Based on previous studies, Jiang Qiuxia puts forward the transformation schema of image -gestalt dominated by aesthetic connotation. Though the transformation schema of image-gestalt realizes the perfect combination between gestalt psychology and translation aesthetics for the very first time , the relevant details of implementation fails to be specified. This paper dissects Six Chapters of a Floating Life translated by Lin Yutang with multiple perspectives and finds out that the reconstruction of image-gestalt involves aesthetic mentality of the audiences and the cognitive structure of the translator. Moreover, the restoration degree of gestalt quality in the source text closely relates to the language rhythm, the dynamic balance of cultural distance as well as the equivalent transformation of the integral image. This paper finally concludes that the cognitive description towards image-gestalt is feasible and effective.