山西大同大学学报(社会科学版)
山西大同大學學報(社會科學版)
산서대동대학학보(사회과학판)
JOURNAL OF SHANXI DATONG UNIVERSITY(SOCIAL SCIENCE)
2014年
1期
68-72
,共5页
莫瑞森%《最蓝的眼睛》%《秀拉》%审丑
莫瑞森%《最藍的眼睛》%《秀拉》%審醜
막서삼%《최람적안정》%《수랍》%심축
Morrison%The Bluest Eye%Sula%the appreciation of ugliness
审丑是对审美的解构,是后现代主义的一个重要概念。作为首位荣获诺贝尔文学奖的美国非裔女作家,托妮·莫瑞森可以称得上是后现代主义时期的“丑”艺术家。她最早发表的两部作品---《最蓝的眼睛》(1969)和《秀拉》(1973),深刻地反映了美国黑人处在当时时代夹缝中的“丑态”。莫瑞森在这两部作品中通过对外表之丑、语言之丑、意象之丑和自然之丑的描写揭示人物的人性之丑和人生之丑,并最终把矛头指向历史之丑。审丑是一种艺术手段,其目的是在认识丑的基础上,呼吁人们去颠覆和解构“丑”的社会秩序和伦理价值,重建新的社会秩序和伦理价值。
審醜是對審美的解構,是後現代主義的一箇重要概唸。作為首位榮穫諾貝爾文學獎的美國非裔女作傢,託妮·莫瑞森可以稱得上是後現代主義時期的“醜”藝術傢。她最早髮錶的兩部作品---《最藍的眼睛》(1969)和《秀拉》(1973),深刻地反映瞭美國黑人處在噹時時代夾縫中的“醜態”。莫瑞森在這兩部作品中通過對外錶之醜、語言之醜、意象之醜和自然之醜的描寫揭示人物的人性之醜和人生之醜,併最終把矛頭指嚮歷史之醜。審醜是一種藝術手段,其目的是在認識醜的基礎上,呼籲人們去顛覆和解構“醜”的社會秩序和倫理價值,重建新的社會秩序和倫理價值。
심축시대심미적해구,시후현대주의적일개중요개념。작위수위영획낙패이문학장적미국비예녀작가,탁니·막서삼가이칭득상시후현대주의시기적“축”예술가。저최조발표적량부작품---《최람적안정》(1969)화《수랍》(1973),심각지반영료미국흑인처재당시시대협봉중적“축태”。막서삼재저량부작품중통과대외표지축、어언지축、의상지축화자연지축적묘사게시인물적인성지축화인생지축,병최종파모두지향역사지축。심축시일충예술수단,기목적시재인식축적기출상,호우인문거전복화해구“축”적사회질서화윤리개치,중건신적사회질서화윤리개치。
As a significant concept in postmodernism, the appreciation of ugliness is a kind of deconstruction of aesthetics. As the Nobel Prize Winner, Afro-American female writer Toni Morrison deserves to be called an artist of “ugliness” in postmodernism. Her earliest works The Bluest Eye and Sula vividly disclose all kinds of “ugliness” of the people at that time. In these two works, Morrison exposes the ugliness of people's character and life through a depiction of the ugliness of appearance, the ugliness of words, the ugliness of images and the ugliness of nature, revealing the ugliness of history. As a kind of artistic means, the appreciation of ugliness aims to call on people to deconstruct the ugly social systems and ethic values on the basis of understanding “ugliness”, as well as to reconstruct new social systems and ethic values.