CAJ | 학술논문

凤翔与淮阳作为典型的北方泥塑艺术产地。在历史的演变过程中，两地形成了风格迥异的泥塑艺术风格，各自固定的泥塑表现手法、厚重的文化底蕴、鲜明的艺术形态深受世人的赞誉。从制作工艺、泥塑造型、纹饰、色彩等方面进行对比剖析，总结两地泥塑特色，使之与现代艺术设计结合。并就民间泥塑艺术衍生品造型设计、泥塑动画角色设计等方面的综合利用提出探讨。
봉상여회양작위전형적북방니소예술산지。재역사적연변과정중，량지형성료풍격형이적니소예술풍격，각자고정적니소표현수법、후중적문화저온、선명적예술형태심수세인적찬예。종제작공예、니소조형、문식、색채등방면진행대비부석，총결량지니소특색，사지여현대예술설계결합。병취민간니소예술연생품조형설계、니소동화각색설계등방면적종합이용제출탐토。
Fengxiang and huaiyang, as a typical northern clay sculpture art origin, in the process of the evolution of history formed the different styles of the clay sculpture art, fixed expression of clay sculpture, rich culture, distinctive artistic form which are praised by the world. From the production process, the clay modelling, decorative design in a utensil, the respect such as colour comparative analysisit, summarizes both clay sculpture features, combined with modern art design. And from the folk clay sculpture art derivatives, it also expounded the modelling design, lay animation character design protection way of clay sculpture.