CAJ | 학술논문

明代七子派“复古而陷伪”是一个历史命题，这一命题经过历时性的层层累加，达到了对七子派复古的丑化和妖魔化效果。这一命题有很大局限性，其弊端主要有三：其一、失之于对七子派复古的全面理解，侧重于从文学层面进行过度化概括；其二、失之于对七子派复古的多层面阐发，将七子派视为一个整体，无视主流与末流之別；其三、失之于对七子派复古的动态考察，未从变化的角度把握七子派成员不同时期的文学思想，刻意制造七子派与其他文派之争，无视各文学流派之间的交融与传承。王世贞晚年提出“有真我然后有真诗”，有矫正七子派末流之弊的用意。
명대칠자파“복고이함위”시일개역사명제，저일명제경과력시성적층층루가，체도료대칠자파복고적축화화요마화효과。저일명제유흔대국한성，기폐단주요유삼：기일、실지우대칠자파복고적전면리해，측중우종문학층면진행과도화개괄；기이、실지우대칠자파복고적다층면천발，장칠자파시위일개정체，무시주류여말류지별；기삼、실지우대칠자파복고적동태고찰，미종변화적각도파악칠자파성원불동시기적문학사상，각의제조칠자파여기타문파지쟁，무시각문학류파지간적교융여전승。왕세정만년제출“유진아연후유진시”，유교정칠자파말류지폐적용의。
“Retro but falling into the fakery” of Qizi School in Ming Dynasty is a historical proposition.It triggers the uglifica-tion and demonization upon the retro movement of Qizi School with its diachronic development.However, the proposition has great limitations with three major disadvantages as follows: first, it does not give a comprehensive understanding on the retro movement of Qizi School, focusing on the overgeneralization from the point of view of literature; second, it fails to study the retro movement of Qizi School from different perspectives, treating Qizi School as a whole and ignoring the difference between the mainstream and branches;third, the dynamic investigation on the retro movement of Qizi School seems to get lost, failing to analyze their literary thoughts in different periods.Moreover, the proposition deliberately provokes the strife between Qizi School and other literary schools and ignores their integration and inheritance.“True poetry is born from true self”, proposed by Wang Shizhe in his late years, seems to arrive at certain rectification.