CAJ | 학술논문

伴随着二十世纪学界对空间的关注，人们将目光从以往对时间和历史的关注转移到了空间上来，完成了文学研究的空间转化，是为文学与地理学的交叉，拓宽了文学研究的疆界。从空间批评的视角审视小说《戴珍珠耳环的少女》中出现的主要空间如厨房、画室及教堂，发现它们不单纯是故事发生的背景，在物理空间的背后蕴含着强烈的有关权力、身份等社会属性。这种解读契合了二十世纪文化研究对人的身份、知识、权力的关注，为全面深入的理解文本提供一种新的视角。
반수착이십세기학계대공간적관주，인문장목광종이왕대시간화역사적관주전이도료공간상래，완성료문학연구적공간전화，시위문학여지이학적교차，탁관료문학연구적강계。종공간비평적시각심시소설《대진주이배적소녀》중출현적주요공간여주방、화실급교당，발현타문불단순시고사발생적배경，재물리공간적배후온함착강렬적유관권력、신빈등사회속성。저충해독계합료이십세기문화연구대인적신빈、지식、권력적관주，위전면심입적리해문본제공일충신적시각。
With literature field’s intense concern about space in the 20th century, people transfer their attention to space from time and history;thus comes spatial transformation of literature, and combination of literature and geography, which broadens the boundary of literal study greatly. From the perspective of space criticism, the kitchen, painting room and the church in the novel Girl with a Pearl Earring are more than the background of the novel, but reveal such social characteristics as power and identity. This kind of reading is in accordance with cultural study in the twentieth century with great emphasis on identity, knowledge and power, and this kind of reading will contribute to a thorough understanding of the novel.