CAJ | 학술논문

主旋律文学的实践活动始终坚持马克思主义文艺美学思想，力图发挥文学的意识形态功能，从而促进整个经济基础和上层建筑发生根本的变革。因而，主旋律文学自觉介入政治、介入社会生活、介入历史时代，从而形成其政教性、社会性、历史性等基本特征。然而在主旋律文学的实际创作过程中，由于各种现实的原因，与整个二十世纪作为“非文学的世纪”相联系，呈现一种复杂情形，一些作家缺乏应有主体性，故理所当然为一些论者所诟病。
주선률문학적실천활동시종견지마극사주의문예미학사상，력도발휘문학적의식형태공능，종이촉진정개경제기출화상층건축발생근본적변혁。인이，주선률문학자각개입정치、개입사회생활、개입역사시대，종이형성기정교성、사회성、역사성등기본특정。연이재주선률문학적실제창작과정중，유우각충현실적원인，여정개이십세기작위“비문학적세기”상련계，정현일충복잡정형，일사작가결핍응유주체성，고리소당연위일사론자소후병。
The mainstream literature activities have been adhering to the Marxist literary aesthetics of literature ,aspiring to play an overwhelming role in ideology so as to promote the radical transformation of economic foundation and superstructure . Accordingly ,the mainstream literature gets involved conscientiously in politics ,in social life and in historical evolution ,thus forging some fundamental features like politics-oriented education ,sociality and historicity .However ,when coming to the real-life composing and devising process ,the mainstream literature ,interrelating to the entire 20th century as “the non-literature century” ,presents a scene of complexity .Some w riters ,due to the lack of desirable subjective consciousness ,as a matter of course ,deserve to be the subject of criticism .