重庆三峡学院学报
重慶三峽學院學報
중경삼협학원학보
JOURNAL OF CHONGQING THREE-GORGES UNIVERSITY
2014年
2期
124-130
,共7页
巴式青铜器%虎形纹饰%文化解读
巴式青銅器%虎形紋飾%文化解讀
파식청동기%호형문식%문화해독
Ba-style bronze%tiger-shaped ornamentation%cultural interpretation
战国到两汉时期,巴式青铜器上大量出现的虎形纹饰或虎形饰件,是巴族进入青铜文明以后,以艺术手段再现原始时期虎图腾崇拜观念的产物,是巴人青铜文化的象征,不仅是巴文化区别于蜀文化以及楚文化的重要标志,同时也是巴民族虎崇拜心理意识的多重反映。
戰國到兩漢時期,巴式青銅器上大量齣現的虎形紋飾或虎形飾件,是巴族進入青銅文明以後,以藝術手段再現原始時期虎圖騰崇拜觀唸的產物,是巴人青銅文化的象徵,不僅是巴文化區彆于蜀文化以及楚文化的重要標誌,同時也是巴民族虎崇拜心理意識的多重反映。
전국도량한시기,파식청동기상대량출현적호형문식혹호형식건,시파족진입청동문명이후,이예술수단재현원시시기호도등숭배관념적산물,시파인청동문화적상정,불부시파문화구별우촉문화이급초문화적중요표지,동시야시파민족호숭배심리의식적다중반영。
In the Warring Period and the West and East Han dynasties, a large amount of tiger-shaped ornamentation and a large number of tiger-shaped ornaments appeared on the Ba Minority’s bronzes, which is an artistic product of tiger-worship notion and the symbol of Ba Minority Bronze Civilization after the Ba Minority entered Bronze Civilization. They are not only the marker to differ Ba Civilization from Shu and Chu civilizations, but also the central reflection of Ba Minority’s tiger-worship psychology.