江苏师范大学学报（哲学社会科学版）
江囌師範大學學報（哲學社會科學版）
강소사범대학학보（철학사회과학판）
Journal of Jiansu Normal University(Philosophy and Sciences Edition)
2014年
5期
58-61,138
,共5页
格非%《江南三部曲》%非诗的时代%小说家%雾
格非%《江南三部麯》%非詩的時代%小說傢%霧
격비%《강남삼부곡》%비시적시대%소설가%무
Ge Fei%Southern Yangtze Trilogy%non-poetic era%novelist%fog
格非的《江南三部曲》重返现代革命历史的晚清起点，将建国以来革命逐步走向高潮与变异的17年历史陌生化，对后革命时代的市场化社会现实进行反思与批判，已与擅长在中短篇小说中从事审美乌托邦建构的先锋文学判然有别。格非以物象“雾”贯穿全部叙事，在诗意之雾向罪恶之雾的镜像式演变中，巧妙地书写自己对社会乌托邦与审美乌托邦的双重反思，为一代先锋文学家在非诗时代如何重新做一个小说家努力寻找答案。然而，如何重新做一个小说家的问题，仍将与中国未完成的社会现代性辩驳共生。
格非的《江南三部麯》重返現代革命歷史的晚清起點，將建國以來革命逐步走嚮高潮與變異的17年歷史陌生化，對後革命時代的市場化社會現實進行反思與批判，已與擅長在中短篇小說中從事審美烏託邦建構的先鋒文學判然有彆。格非以物象“霧”貫穿全部敘事，在詩意之霧嚮罪噁之霧的鏡像式縯變中，巧妙地書寫自己對社會烏託邦與審美烏託邦的雙重反思，為一代先鋒文學傢在非詩時代如何重新做一箇小說傢努力尋找答案。然而，如何重新做一箇小說傢的問題，仍將與中國未完成的社會現代性辯駁共生。
격비적《강남삼부곡》중반현대혁명역사적만청기점，장건국이래혁명축보주향고조여변이적17년역사맥생화，대후혁명시대적시장화사회현실진행반사여비판，이여천장재중단편소설중종사심미오탁방건구적선봉문학판연유별。격비이물상“무”관천전부서사，재시의지무향죄악지무적경상식연변중，교묘지서사자기대사회오탁방여심미오탁방적쌍중반사，위일대선봉문학가재비시시대여하중신주일개소설가노력심조답안。연이，여하중신주일개소설가적문제，잉장여중국미완성적사회현대성변박공생。
Ge Fei’s Jiangnan Trilogy re-entered the modern revolutionary history’s beginning at the late Qing Dynasty, made a defamiliarization to the seventeen years revolutionary history which moved to the climax and variation gradually and reflected over the quasi market society in the post revolutionary era.It was markedly different from Chinese avant-garde literature which were good at constructing an aesthetic utopia in short stories and novelettes.Fog image ran through the whole narrative.Ge Fei expressed skillfully a double introspection of social utopia and aesthetic utopia in the mirror image evolution of fog form poetic to evil and thereby tried to find the answer of how to be a novelist again in a non-poet-ic era for himself and other avant-garde writers.But there is refutable symbiosis between their aesthetic pursuit and Chi-na’s unfinished social modernity.
