江苏师范大学学报（哲学社会科学版）
江囌師範大學學報（哲學社會科學版）
강소사범대학학보（철학사회과학판）
Journal of Jiansu Normal University(Philosophy and Sciences Edition)
2014年
5期
20-27
,共8页
伊卡洛斯%斯特凡·格奥尔格%歌德%拜伦%波德莱尔
伊卡洛斯%斯特凡·格奧爾格%歌德%拜倫%波德萊爾
이잡락사%사특범·격오이격%가덕%배륜%파덕래이
Ikarus%Stefan George%Goethe%Byron%Baudelaire
在古希腊神话里，伊卡洛斯由于不听父亲的劝告而飞得太高，翅膀被太阳融化，坠海而死。后人将他阐释成各种形象，如追求爱与美的诗人与爱人，追求自由的英雄、革命者、反叛者与乌托邦主义者。在19世纪，有三位大诗人---拜伦、波德莱尔、斯特凡·格奥尔格---续写了伊卡洛斯神话。献身希腊战场的英国诗人拜伦在歌德的《浮士德》里以欧福里翁的形象出现，是一个英雄伊卡洛斯。法国诗人波德莱尔把追求美的现代诗人比作不幸坠落的伊卡洛斯，德国诗人格奥尔格则塑造了一个作为诗人-先知的伊卡洛斯，他是变革社会的精神领袖。格奥尔格对伊卡洛斯形象的塑造，成熟于他在伦敦漫游中与拜伦的神交、在巴黎参加马拉美主持的星期二聚会以及对波德莱尔诗歌的熟稔，这可视为一种“侨易”现象，同时也造就了格奥尔格的伊卡洛斯形象的独特性。身处不同时代、源自不同民族与国家的这三位诗人对伊卡洛斯的不同感悟与阐释，展现了伊卡洛斯形象在19世纪的一种“侨易”过程。
在古希臘神話裏，伊卡洛斯由于不聽父親的勸告而飛得太高，翅膀被太暘融化，墜海而死。後人將他闡釋成各種形象，如追求愛與美的詩人與愛人，追求自由的英雄、革命者、反叛者與烏託邦主義者。在19世紀，有三位大詩人---拜倫、波德萊爾、斯特凡·格奧爾格---續寫瞭伊卡洛斯神話。獻身希臘戰場的英國詩人拜倫在歌德的《浮士德》裏以歐福裏翁的形象齣現，是一箇英雄伊卡洛斯。法國詩人波德萊爾把追求美的現代詩人比作不倖墜落的伊卡洛斯，德國詩人格奧爾格則塑造瞭一箇作為詩人-先知的伊卡洛斯，他是變革社會的精神領袖。格奧爾格對伊卡洛斯形象的塑造，成熟于他在倫敦漫遊中與拜倫的神交、在巴黎參加馬拉美主持的星期二聚會以及對波德萊爾詩歌的熟稔，這可視為一種“僑易”現象，同時也造就瞭格奧爾格的伊卡洛斯形象的獨特性。身處不同時代、源自不同民族與國傢的這三位詩人對伊卡洛斯的不同感悟與闡釋，展現瞭伊卡洛斯形象在19世紀的一種“僑易”過程。
재고희석신화리，이잡락사유우불은부친적권고이비득태고，시방피태양융화，추해이사。후인장타천석성각충형상，여추구애여미적시인여애인，추구자유적영웅、혁명자、반반자여오탁방주의자。재19세기，유삼위대시인---배륜、파덕래이、사특범·격오이격---속사료이잡락사신화。헌신희석전장적영국시인배륜재가덕적《부사덕》리이구복리옹적형상출현，시일개영웅이잡락사。법국시인파덕래이파추구미적현대시인비작불행추락적이잡락사，덕국시인격오이격칙소조료일개작위시인-선지적이잡락사，타시변혁사회적정신령수。격오이격대이잡락사형상적소조，성숙우타재륜돈만유중여배륜적신교、재파려삼가마랍미주지적성기이취회이급대파덕래이시가적숙임，저가시위일충“교역”현상，동시야조취료격오이격적이잡락사형상적독특성。신처불동시대、원자불동민족여국가적저삼위시인대이잡락사적불동감오여천석，전현료이잡락사형상재19세기적일충“교역”과정。
The mythical figure of Ikarus who ignored his father's advice and flew too close to the sun and then fell into the sea where he drowned was interpreted as poet and lover in pursuit of beauty and love,as hero,revolutionist,rebel and u-topian longing for freedom.In the 19th century three famous poets Byron,Baudelaire and Stefan George showed their conceptions of Ikarus.While Goethe depicted English poet Byron as a hero Ikarus in the mythical figure of Euphorion in Faust and French poet Baudelaire composed a lament to the modern poet who soars up into heaven longing for beauty like Ikarus and falls but more unfortunately than Ikarus,German poet Stefan George gave an image of Ikarus as poet-prophet who is the spiritual leader of changing society.George's mature image of Ikarus grew out of his admiration for Byron in London,his attendance at the Tuesday evening held by Mallarméand his familiarity with Baudelaire's poetry in Paris dur-ing his wander,this development can be regarded as a"Kiao-I"process of the poet George and marks the special feature of his image of Ikarus.Born in different countries and lived in different times,these three poets depicted varied figures of Ikarus,which can also be regarded as a kind of"Kiao-I" process of the figure of Ikarus in the 19th century.
