CAJ | 학술논문

民族唱法和美声唱法作为我国声乐界的两大主要唱法，是高校音乐教学的重要组成部分。伴随着我国音乐教学的改革，对如何科学辩证的认识民族唱法与美声唱法的联系与区别，将是我们研究高校声乐教学改革可持续发展的中心环节。因此，本文就声乐界一直研究和探讨的关于美声与民族唱法的关系为切入点，从美声唱法与民族唱法的审美特点、歌唱表演、题材曲目几个方面进行对比，以探究美声唱法与民族唱法在高校声乐教学改革中的对立统一的关系。
민족창법화미성창법작위아국성악계적량대주요창법，시고교음악교학적중요조성부분。반수착아국음악교학적개혁，대여하과학변증적인식민족창법여미성창법적련계여구별，장시아문연구고교성악교학개혁가지속발전적중심배절。인차，본문취성악계일직연구화탐토적관우미성여민족창법적관계위절입점，종미성창법여민족창법적심미특점、가창표연、제재곡목궤개방면진행대비，이탐구미성창법여민족창법재고교성악교학개혁중적대립통일적관계。
National singing and bel canto as two main singing methods in vocal circles in China, are important part of college music teach-ing. Along with the reform of music teaching in our country, how to scientifically understand the links and differences between national singing and bel canto, will be the center of our research on the sustainable development of vocal music teaching reform in university. Therefore, based on the relationship between bel canto and national singing in vocal music circles have been studied and discussed for years, this paper has some comparison with the aesthetic characters of national singing and bel canto , singing performance and subjects , in order to analyzes the relation of unity and opposites in national singing and bel canto in college vocal teaching reform.