CAJ | 학술논문

基于海德格尔的基础存在论得出艺术作品的两个基本特征，表明在存在意义上艺术作品之为作品的现实性在于真理的生成。立足于海德格尔晚期思想阐释生成的概念，为从本己性、参与性及和谐性三个维度理解审美之生态属性奠定了基础。审美的生态属性为建构农村景观之生态美学提供了一种可能的新视点。通过描述农村景观现象中集体生活、集体记忆和文化传统之间的关联，阐明农村景观之生态审美是基于大地基质、乡村故事、生态长廊三个变量的动态结构。
기우해덕격이적기출존재론득출예술작품적량개기본특정，표명재존재의의상예술작품지위작품적현실성재우진리적생성。립족우해덕격이만기사상천석생성적개념，위종본기성、삼여성급화해성삼개유도리해심미지생태속성전정료기출。심미적생태속성위건구농촌경관지생태미학제공료일충가능적신시점。통과묘술농촌경관현상중집체생활、집체기억화문화전통지간적관련，천명농촌경관지생태심미시기우대지기질、향촌고사、생태장랑삼개변량적동태결구。
The essential characteristic of artwork based on Heidegger's fundamental ontology indicates that the reality of artwork lies in the word Ereignis on the sense of being.By interpreting the mean-ings of Ereignis which penetrates through Heidegger's thought,it provides a solid ground for under-standing the ecological attribute of aesthetics from three dimensions:individuality;participation;har-mony.When translated into Sage,ecological aesthetics has inherent characteristics of collective con-sciousness,memory and tradition,offering an alternative way for the ecological aesthetics of rural landscape.Finally,it is concluded that the ecological aesthetics of rural landscape is a dynamic con-struction integrated with three variants including earth matrix,village story,and ecological corridor.