乐山师范学院学报
樂山師範學院學報
악산사범학원학보
JOURNAL OF LESHAN TEACHERS COLLEGE
2014年
9期
1-5,37
,共6页
苏轼%陶渊明%休闲等一味%休闲审美
囌軾%陶淵明%休閒等一味%休閒審美
소식%도연명%휴한등일미%휴한심미
Su Shi%Tao Yuanming%Xiu Xian Deng Yi Wei%Leisure Aesthetics
在宋代归隐文化休闲化的背景下,苏轼通过对陶渊明的个人化诠释,提出“休闲等一味”的观点,从而完成了对陶渊明休闲审美思想的超越,同时也标志着古代休闲审美文化高峰的到来。
在宋代歸隱文化休閒化的揹景下,囌軾通過對陶淵明的箇人化詮釋,提齣“休閒等一味”的觀點,從而完成瞭對陶淵明休閒審美思想的超越,同時也標誌著古代休閒審美文化高峰的到來。
재송대귀은문화휴한화적배경하,소식통과대도연명적개인화전석,제출“휴한등일미”적관점,종이완성료대도연명휴한심미사상적초월,동시야표지착고대휴한심미문화고봉적도래。
Under the background of the leisurization of reclusive culture in Song Dynasty, by personal-ized explanation of Tao Yuanming’s aesthetic thoughts, Su Shi had put forward his viewpoint of “Xiu Xian Deng Yi Wei”. Thus, he not only surpassed Tao Yuanming’s leisure aesthetics, but also declared the arrival of the peak of the ancient aesthetic culture.