CAJ | 학술논문

中国文人画主要艺术审美特征由诸多因素组成，其中对墨的运用是外在的载体表现形式，通过墨色的变化来解决视觉表现中的层次关系是中国文人画家历来追求的法则，这种法则通过单色的墨来进行视觉传递是有着文化渊源的。文人画的这种素色审美特质多受中国主流文化的内涵影响。通过墨分五色的审美取向的表征可以看出，对文人画审美取向的产生主要是由中国文化脉络中的儒家、道家和释家对艺术的审美观一家或者各家之间相互作用而形成的。
중국문인화주요예술심미특정유제다인소조성，기중대묵적운용시외재적재체표현형식，통과묵색적변화래해결시각표현중적층차관계시중국문인화가력래추구적법칙，저충법칙통과단색적묵래진행시각전체시유착문화연원적。문인화적저충소색심미특질다수중국주류문화적내함영향。통과묵분오색적심미취향적표정가이간출，대문인화심미취향적산생주요시유중국문화맥락중적유가、도가화석가대예술적심미관일가혹자각가지간상호작용이형성적。
The main aesthetic features of Chinese literati paintings are composed of a number of factors, in which the use of ink is the external carrier manifestation. The solving of hierarchical relation of visual representation through ink changes is the rule that Chinese literati painters have always pursued, that is, to pass a vision by monochrome ink has cultural origins. This plain color aesthetics quali-ty of literati paintings is affected by the connotation of Chinese mainstream culture. Through the characterization of aesthetic orientation of colored ink, we find that the generation of the aesthetic orientation of literati paintings is formed by interaction between sects such as Confucianism, Taoism and Buddhism in Chinese cultural context.