CAJ | 학술논문

谷崎润一郎发表于1942年的随笔《昨今》，回忆了旧友田汉、欧阳予倩和郭沫若，并谈及胡适、周作人、丰子恺和林语堂四人的创作。这是抗战时期一份带着特殊年代印记的、对中国新文学作家的独特述评。《昨今》既抒发了对旧友的思念与关切，也表达了个体在特殊时代的复杂感受。同时，《昨今》也不可避免地带有那一时代的日本解读中国的视角，对窥探战时日本文坛的中国现代文学阅读与接受具一定的启示意义。
곡기윤일랑발표우1942년적수필《작금》，회억료구우전한、구양여천화곽말약，병담급호괄、주작인、봉자개화림어당사인적창작。저시항전시기일빈대착특수년대인기적、대중국신문학작가적독특술평。《작금》기서발료대구우적사념여관절，야표체료개체재특수시대적복잡감수。동시，《작금》야불가피면지대유나일시대적일본해독중국적시각，대규탐전시일본문단적중국현대문학열독여접수구일정적계시의의。
In the essay Yesterday Today published in 1942, Junichiro Tanizaki recalled the old friends Tian Han, Ouyang Yuqian and Guo Moruo, and spoke about the creations of four men including Hu Shi, Zhou Zuoren, Feng Zikai and Lin Yutang. This is a special document criticizing about the writers of China New Literary with the unique time’s mark during the war of Resistance Against Japanese Aggression. In Yesterday Today, Junichiro Tanizaki expressed the recalls and concerns of his old friends, and also described the complex individual experience in that particular era. Meanwhile, the essay also inevitably exists the perspective with which the Japanese writers interpretated China at that time. So it must be a certain degree of enlightenment in the essay that can give an insight into how modern Chinese literature to be read and accepted by the Japanese literary circles in war.