CAJ | 학술논문

安吉拉·卡特的代表作《新夏娃的激情》既否定了父权文化下的两性关系，也不推崇母权文化激进派所向往的“安息地”，而是表达作者希望通过变性和变装的方式来说明并没有绝对的男性女性之分，生理性别、社会性别和身体都是社会建构的。本文从朱迪斯·巴特勒的性别表演角度解读《新夏娃的激情》，进一步论证性别构建、性别表演在小说中的体现。
안길랍·잡특적대표작《신하왜적격정》기부정료부권문화하적량성관계，야불추숭모권문화격진파소향왕적“안식지”，이시표체작자희망통과변성화변장적방식래설명병몰유절대적남성녀성지분，생이성별、사회성별화신체도시사회건구적。본문종주적사·파특륵적성별표연각도해독《신하왜적격정》，진일보론증성별구건、성별표연재소설중적체현。
Angela Carter is one of the most creative writers in the modern Britain, her representative work The Passion of New Eve denies the sexual relationship under the dominance of patriarchal culture, at the same time, she also disapproves the"place"that radical yearned for under the matriarchal culture. Angela Carter illustrates that there is no absolute distinction between male and female through drag. This novel expresses her wishes that biological sex, gender and sexuality can all be socially constructed. There is no absolute distinction between what is male and what is female. This article re-reads The Passion of New Eve through the perspective of Butler's gender perfor-mativity and unfolds the evidences of gender construction and gender performativity in the novel.