CAJ | 학술논문

晚明的苏州园林假山因文人的参与和假山匠师的文人化而取得了极高的艺术成就。明末计成《园冶》一书中有关掇山的理论以及对施工与造型技艺等论述，常能和这一时期苏州园林中遗存的假山实物相互印证。将《园冶》理论与假山遗存在类型、风格、技艺上进行实证例释及总结，对园林假山这一传统技艺的保护与传承有一定的积极意义，同时也给现代园林及景观设计提供一定的参考。
만명적소주완림가산인문인적삼여화가산장사적문인화이취득료겁고적예술성취。명말계성《완야》일서중유관철산적이론이급대시공여조형기예등논술，상능화저일시기소주완림중유존적가산실물상호인증。장《완야》이론여가산유존재류형、풍격、기예상진행실증례석급총결，대완림가산저일전통기예적보호여전승유일정적적겁의의，동시야급현대완림급경관설계제공일정적삼고。
Owing to both the participation of scholars and the cultivation of craftsmen in the Late Ming Dynasty, the building technique of Rockery in Ancient Gardens of Suzhou achieved its artistic culmination. At the end of Ming Dynasty Ji Cheng wrote “The Craft of Gardens”,a treatise of theories and illustrations on the technique, the shaping and piling of rockeries. Today we find that the theories illustrated in the book resonate well with what we see in the Ancient Gardens of Suzhou built during the same period of history. Therefore it is of great significance to proof-research and analyze the categories, styles and skills from both the theoretical perspective depicted in the book and also the technical perspective represented by the rockeries left from history, so that the quintessence of the traditional technique is to be protected, inherited and developed. Therefore substantial reference for modern garden-building and landscape-designing is also to be generated.