中国陶瓷工业
中國陶瓷工業
중국도자공업
CHINA CERAMIC INDUSTRY
2014年
3期
33-36
,共4页
现代陶艺%客家文化%场域文化
現代陶藝%客傢文化%場域文化
현대도예%객가문화%장역문화
ceramic%modern art%modern ceramics%Hakka Culture%ifeld culture
现代陶艺既承继传统陶瓷文化又融和当代艺术理念,是艺术家以陶泥或瓷泥为主要创作媒材,试图摆脱单纯的物以致用性质,表现当代人的思维个性、情感、心理意识和审美观念的艺术形式。陶瓷元素独特材质特征与丰富的表现语言使得现代陶艺在与当代艺术的互文中既有自己的本体语言表达又有新的发展维度。本文首先梳理了现代陶艺的发展脉络,然后立足成都洛带镇的客家商业文化视阈,探讨在洛带镇的文化产业模式中的现代陶艺与当代艺术的融合。最后得出论题--洛带镇客家文化视域下的现代陶艺,可借鉴三宝国际陶艺村的成功模式,以当代艺术的表现形式来探求陶瓷自身的语言特征,寻求陶艺本体的艺术表达,达到现代陶艺与当代艺术叠加与商业融合的统一。
現代陶藝既承繼傳統陶瓷文化又融和噹代藝術理唸,是藝術傢以陶泥或瓷泥為主要創作媒材,試圖襬脫單純的物以緻用性質,錶現噹代人的思維箇性、情感、心理意識和審美觀唸的藝術形式。陶瓷元素獨特材質特徵與豐富的錶現語言使得現代陶藝在與噹代藝術的互文中既有自己的本體語言錶達又有新的髮展維度。本文首先梳理瞭現代陶藝的髮展脈絡,然後立足成都洛帶鎮的客傢商業文化視閾,探討在洛帶鎮的文化產業模式中的現代陶藝與噹代藝術的融閤。最後得齣論題--洛帶鎮客傢文化視域下的現代陶藝,可藉鑒三寶國際陶藝村的成功模式,以噹代藝術的錶現形式來探求陶瓷自身的語言特徵,尋求陶藝本體的藝術錶達,達到現代陶藝與噹代藝術疊加與商業融閤的統一。
현대도예기승계전통도자문화우융화당대예술이념,시예술가이도니혹자니위주요창작매재,시도파탈단순적물이치용성질,표현당대인적사유개성、정감、심리의식화심미관념적예술형식。도자원소독특재질특정여봉부적표현어언사득현대도예재여당대예술적호문중기유자기적본체어언표체우유신적발전유도。본문수선소리료현대도예적발전맥락,연후립족성도락대진적객가상업문화시역,탐토재락대진적문화산업모식중적현대도예여당대예술적융합。최후득출론제--락대진객가문화시역하적현대도예,가차감삼보국제도예촌적성공모식,이당대예술적표현형식래탐구도자자신적어언특정,심구도예본체적예술표체,체도현대도예여당대예술첩가여상업융합적통일。
As a form of art, modern ceramics inherits the tradition of ceramic culture and merges the philosophy of modern art. The ceramic artists use polymer clay or petuntse as their material to vividly manifest the ideas, emotions, visions and esthetics of the modern people. The unique feature and abundant representation forms of ceramic materials endow modern ceramics with distinct language feature and new development dimension. This paper ifrstly introduces the development of modern ceramics, and, by focusing on Hakka commercial culture of Luodai Town, Chengdu City, discusses the integration of modern ceramics and contemporary art in the cultural industry of Luodai Town. It then concludes that against its background of Hakka culture, Luodai Town can follow the successful mode of Sanbao International Ceramic Art Village to seek the unique language features of the ceramic materials and pursue artistic expression of ceramics itself by means of modern art, thus achieving the overlapping of modern ceramics and contemporary art and the integration of modern ceramics and commercial culture.