CAJ | 학술논문

文章以音乐期刊社会作用导入，论述《音乐研究》自21世纪来“稳定”“徘徊”“登顶”之“三部曲”，以及常务副主编陈荃有创新思维的办刊特色。该刊实现了由半政治、半学术刊物向纯学术刊物之转型，取得国内三大学术体系艺术学科均排名第一的优异成绩。写作目的在于强调编辑在办刊过程中的重要作用，提倡中国音乐期刊办刊风格的多元化与个性化，推动音乐期刊出版事业的繁荣与发展。
문장이음악기간사회작용도입，논술《음악연구》자21세기래“은정”“배회”“등정”지“삼부곡”，이급상무부주편진전유창신사유적판간특색。해간실현료유반정치、반학술간물향순학술간물지전형，취득국내삼대학술체계예술학과균배명제일적우이성적。사작목적재우강조편집재판간과정중적중요작용，제창중국음악기간판간풍격적다원화여개성화，추동음악기간출판사업적번영여발전。
Taking music periodical’s social meaning as a pointcut,my paper discusses Music Research’s“trilogy”of“stabilization,”“wandering,”and“peak,”as well as its administrative associate editor CHEN Quanyou’s cre-ative thoughts. Music Research was transformed from a semi-political and semi-academic periodical to an academic one,and won a No. 1 in three domestic academic systems of art disciplines. My paper discusses the significance of editor in the process of developing a periodical,and advocates pluralism and individualism in developing a Chinese music periodical.