CAJ | 학술논문

“鲁神”是以甘肃卓尼藏族地区原始宗教的“万物有灵”思想为基础，以独特的地理环境及宗教文化为依托，经过长期的相互作用与融合，从而形成的具有浓郁地域特征和丰富内涵的艺术形式，它不但凝聚和保留了较多卓尼藏族地区原始文化的特点，而且吸收和融合了包括佛教等在内的其他外来文化因素，可谓兼容并蓄、博采众长。从“鲁神”的核心内涵来看，它不只是展示了卓尼藏族艺术的无限魅力，重要的是体现了卓尼藏族社会重视人与人、人与自然之间和谐发展的理念，也是卓尼藏族地区民众价值观和审美观的集中体现。
“로신”시이감숙탁니장족지구원시종교적“만물유령”사상위기출，이독특적지리배경급종교문화위의탁，경과장기적상호작용여융합，종이형성적구유농욱지역특정화봉부내함적예술형식，타불단응취화보류료교다탁니장족지구원시문화적특점，이차흡수화융합료포괄불교등재내적기타외래문화인소，가위겸용병축、박채음장。종“로신”적핵심내함래간，타불지시전시료탁니장족예술적무한매력，중요적시체현료탁니장족사회중시인여인、인여자연지간화해발전적이념，야시탁니장족지구민음개치관화심미관적집중체현。
Dragon patterns are formed based on animist thoughts prevalent in Co-ne Tibetan-inhabited areas and influenced by the geographical environment, multi-cultural and religious forms there. Through a long-term mutual integration and evolution, they have become an artistic form with strong national and regional characteristics as well as connotations. This artistic form has not only accumulated and retained a lot of primitive cultural features, but also absorbed and integrated more alien cultural elements such as Buddhism. Therefore, it is viewed as an all-inclusive artistic form widely drawn upon the advantages of the others. Its expression form and spiritual connotations reveal the boundless charm of Co-ne Tibetan art. It not only serves as part of major contents in building the harmony between man and man, man and object as well as man and nature in Co-ne Tibetan society, but also embodies people’s spirits, ideals, values and aesthetic views in Co-ne Tibetan-inhabited areas. In recent years, the dragon pattern art has received extensive concerns from more and more scholars, and become vital historical materials for the researches on nature, history, politics and culture of Co-ne Tibetan-inhabited areas.