CAJ | 학술논문

汤亭亭在《女勇士》中通过极富想像力的虚构与简洁的“说故事”的叙事模式，向读者展示了生活在她周围的三位反封建、反父权的“女勇士”形象：违背封建礼教、以死抗争的无名姑姑；勇于与男权社会相抗衡的“双性同体”花木兰以及敢于向封建传统叫板的英兰，作品充满了女性主义色彩。
탕정정재《녀용사》중통과겁부상상력적허구여간길적“설고사”적서사모식，향독자전시료생활재저주위적삼위반봉건、반부권적“녀용사”형상：위배봉건례교、이사항쟁적무명고고；용우여남권사회상항형적“쌍성동체”화목란이급감우향봉건전통규판적영란，작품충만료녀성주의색채。
Through such narrative patterns as dramatically imaginative make-up and “story telling”,Kingston Maxine Hong offers readers a vivid description of the three women warriors against feudalism and patriarchy:No name Aunt;an-drogynous Fa Mulan and Brave Orchid,which renders the whole work filled with feminist color.This paper intends to re-read Woman Warrior from feminist perspective to further explore the fighting process of those Chinese women warriors a-gainst feudalism.