CAJ | 학술논문

《北迁季节》被视为当代阿拉伯文学作品的“一朵奇葩”，萨利赫向读者展示了一幅充满时空变幻的迁徙之图，文中的人物身份也呈现了有“破”有“立”的动态特点。该篇试图分析小说中人物所体现的三种类型的身份寻求：抵制性的“立”，模仿性的由“破”到“立“，以及策略性的由“立”到“破”。文化身份不是固定封闭的，而是一个历史的动态的过程，正是“破”和“立”之间的互动式协商才为夹缝中的人物创造了“间质空间”的身份意义。
《북천계절》피시위당대아랍백문학작품적“일타기파”，살리혁향독자전시료일폭충만시공변환적천사지도，문중적인물신빈야정현료유“파”유“립”적동태특점。해편시도분석소설중인물소체현적삼충류형적신빈심구：저제성적“립”，모방성적유“파”도“립“，이급책략성적유“립”도“파”。문화신빈불시고정봉폐적，이시일개역사적동태적과정，정시“파”화“립”지간적호동식협상재위협봉중적인물창조료“간질공간”적신빈의의。
Season of Migration to the North is regarded as a miracle in Arabic literature. Salih presents the readers with a picture of migration which is filled with fantastic conversion of time and space, and the characters’ identities in this novel take on a dynamic view between destruction and construction. And in this paper, it analyzes three types of questing for identities among the characters in the novel: identity in construction in a resistant way, identity from destruction to construction in a mimetic way, and identity from construction to destruction in a strategic way. Cultural identity is not fixed and closed, but dynamic in a historic process. As the active negotiation between destruction and construction goes, it offers the characters in interstice a new identity which is created in “liminal space”.