CAJ | 학술논문

《边城》是沈从文的代表作品,其所达的艺术高度人所共知。结合一些西方叙事理论,并和中外其他作家的小说加以对照比较,同时借用中国古代绘画上的空白理论和莱辛的造型艺术理论,着重从打破故事的一般模式、空白艺术、艺术失衡的张力三个方面探究《边城》结尾的艺术魅力。
《변성》시침종문적대표작품,기소체적예술고도인소공지。결합일사서방서사이론,병화중외기타작가적소설가이대조비교,동시차용중국고대회화상적공백이론화래신적조형예술이론,착중종타파고사적일반모식、공백예술、예술실형적장력삼개방면탐구《변성》결미적예술매력。
Bian Cheng was SHEN Congwen＇s representative work, its artistic altitude was well known. The paper studies the artistic ending of Bian Cheng combining the Narrative Theories in the west, other Chinese and foreign writers＇works,the Blankness theory in ancient Chinese painting and Lessing＇s formative art theory from three aspects： breaking the common story mode, blankness and tension of artistic imbalance.