CAJ | 학술논문

近几年来，华语电影在中国内地市场上迎来了自身发展的黄金机遇期，与此同时，竟无可回避地陷落于文化缺失和唯 GDP至上的误区。以 GDP论英雄，由 GDP来主宰市场并扭曲电影之为电影的文化根本属性，这就给华语电影及其产业造成了结构性的危机。当今处于“后融合期”的华语电影共同体及其产业，无疑需要葆有一种文化的韧性和定力，激浊扬清，吐故纳新，锐意拓展华语电影前瞻性的国际视阈及其文化主体性创新，再度聚合中国内地与香港、台湾、澳门暨海外华裔多地域性的文化正能量，以实现民族性与现代性的对接，中华人文精神与人类共通价值观的融合。
근궤년래，화어전영재중국내지시장상영래료자신발전적황금궤우기，여차동시，경무가회피지함락우문화결실화유 GDP지상적오구。이 GDP론영웅，유 GDP래주재시장병뉴곡전영지위전영적문화근본속성，저취급화어전영급기산업조성료결구성적위궤。당금처우“후융합기”적화어전영공동체급기산업，무의수요보유일충문화적인성화정력，격탁양청，토고납신，예의탁전화어전영전첨성적국제시역급기문화주체성창신，재도취합중국내지여향항、태만、오문기해외화예다지역성적문화정능량，이실현민족성여현대성적대접，중화인문정신여인류공통개치관적융합。
In the past three or five years,as the Chinese film entered a golden age of development in the market of mainland China,the industry has been caught up in a frenzy of GDP-worship at the cost of the films′cultural values.GDP is taken as the only benchmark for success and the primary consideration in the film mar-ket,which inevitably betrays the essential nature of film as a cultural and art form.This gives rise to a structur-al crisis in Chinese films and the industry as a whole.In a“post-fusion period,”Chinese film communities and the industry should maintain their cultural vitality,foster what is new and culturally positive,cast away the hackneyed and the debased and thus reinvigorate themselves by adopting a proactive global vision and by en-couraging innovative initiatives.It is advisable to once again aggregate positive cultural energy from various re-gions,including mainland China,Hong Kong,Macau and overseas Chinese communities.Hence,the national and the modern will meet,and the humanistic spirit of the Chinese people is to be fused with the universal val-ues of all man.