河北大学学报（哲学社会科学版）
河北大學學報（哲學社會科學版）
하북대학학보（철학사회과학판）
JOURNAL OF HEBEI UNIVERSITY (PHILOSOPHY AND SOCIAL SCIENCE)
2014年
2期
9-15
,共7页
《苦菜花》%《丰乳肥臀》%互文性
《苦菜花》%《豐乳肥臀》%互文性
《고채화》%《봉유비둔》%호문성
Bitter Cauli f lower%Plump Breast and f at Buttocks%intertextuality
《丰乳肥臀》与《苦菜花》有明显而直接的互文关系。虽然两部作品中母亲形象和母爱主题都很突出，但其所赞颂母爱的内涵和表现有异。冯大娘是典型的贤妻良母，体现了诸种传统美德，她对封建伦理中男女不平等及非人道成分，又有出于本能的反抗。她拥护革命和革命战争不是为了观念，而是本着个人良心和正义感。她对革命战士的疼爱是“推己及人”的结果。上官鲁氏则彻底反叛传统的和革命的伦理道德。对她来说，自己和自己子女的生存与繁育高于一切。这可看作莫言对冯德英革命历史叙事及其伦理观念在继承借鉴基础上的重写或颠覆。《丰乳肥臀》将《苦菜花》不回避性爱和暴力描写的特征发扬光大并推向极致，而剔除了后者的政治与理性内涵，只凸显其悲剧美、病态美和野性美。冯德英和莫言均重视作家创作态度的真诚和艺术描写的真实，但他们作品中的“真实”属于不同类型的“真实”。它们各有其价值和局限，我们不宜简单地厚此薄彼，或厚彼薄此。
《豐乳肥臀》與《苦菜花》有明顯而直接的互文關繫。雖然兩部作品中母親形象和母愛主題都很突齣，但其所讚頌母愛的內涵和錶現有異。馮大孃是典型的賢妻良母，體現瞭諸種傳統美德，她對封建倫理中男女不平等及非人道成分，又有齣于本能的反抗。她擁護革命和革命戰爭不是為瞭觀唸，而是本著箇人良心和正義感。她對革命戰士的疼愛是“推己及人”的結果。上官魯氏則徹底反叛傳統的和革命的倫理道德。對她來說，自己和自己子女的生存與繁育高于一切。這可看作莫言對馮德英革命歷史敘事及其倫理觀唸在繼承藉鑒基礎上的重寫或顛覆。《豐乳肥臀》將《苦菜花》不迴避性愛和暴力描寫的特徵髮颺光大併推嚮極緻，而剔除瞭後者的政治與理性內涵，隻凸顯其悲劇美、病態美和野性美。馮德英和莫言均重視作傢創作態度的真誠和藝術描寫的真實，但他們作品中的“真實”屬于不同類型的“真實”。它們各有其價值和跼限，我們不宜簡單地厚此薄彼，或厚彼薄此。
《봉유비둔》여《고채화》유명현이직접적호문관계。수연량부작품중모친형상화모애주제도흔돌출，단기소찬송모애적내함화표현유이。풍대낭시전형적현처량모，체현료제충전통미덕，저대봉건윤리중남녀불평등급비인도성분，우유출우본능적반항。저옹호혁명화혁명전쟁불시위료관념，이시본착개인양심화정의감。저대혁명전사적동애시“추기급인”적결과。상관로씨칙철저반반전통적화혁명적윤리도덕。대저래설，자기화자기자녀적생존여번육고우일절。저가간작막언대풍덕영혁명역사서사급기윤리관념재계승차감기출상적중사혹전복。《봉유비둔》장《고채화》불회피성애화폭력묘사적특정발양광대병추향겁치，이척제료후자적정치여이성내함，지철현기비극미、병태미화야성미。풍덕영화막언균중시작가창작태도적진성화예술묘사적진실，단타문작품중적“진실”속우불동류형적“진실”。타문각유기개치화국한，아문불의간단지후차박피，혹후피박차。
There are obvious and direct the intertextual relationship between “Plump Breast and Fat But-tocks”and“Bitter Cauliflower” .Although the image of mother and maternal love in the two works are very prominent ,the connotation and manifestation of the maternal love that they sing the praises is dif-ferent .Aunt Feng was typical as an understanding wife and loving mother ,which reflected the tradi-tional virtues ,but she revolted instinctively to the feudal ethics of gender inequality and inhumane com-ponent .That she supported the revolution and the revolutionary war was not for the idea ,but the spirit of individual conscience and sense of justice .Her love for the revolutionary soldier was the results of“considering others in one's own place” ,while Shangguan Lu rebeled against tradition and revolutionary ethics thoroughly .The survival and reproduction of themselves and their children were the most impor-tant thing for her .This can be considered as the rewriting or subversion of Mo Yan to Feng Deying's revolution historical narrative and ethics based on inheritance .The reality in the works of Feng Deying and Mo Yan is different types .Each of them has its value and limitation ,so we should not show favour towards one but hold prejudice against the other .
