CAJ | 학술논문

新世纪贵州诗歌相对于十七年时期和新时期贵州诗歌的最大变化在于抒情主体由＂我们＂变为＂我＂。在这一变迁过程中,诗人创造性想象由弱变强,作品＂情＂与＂景＂由分离状态逐渐合一,＂真＂与＂幻＂由对立状态逐渐协调。同时它开拓了另一层个人化的表现空间,在＂向内转＂的倾向中,凸现个体心灵中的繁复感受,也相应导致贵州诗歌中的民族色彩开始消隐。
신세기귀주시가상대우십칠년시기화신시기귀주시가적최대변화재우서정주체유＂아문＂변위＂아＂。재저일변천과정중,시인창조성상상유약변강,작품＂정＂여＂경＂유분리상태축점합일,＂진＂여＂환＂유대립상태축점협조。동시타개탁료령일층개인화적표현공간,재＂향내전＂적경향중,철현개체심령중적번복감수,야상응도치귀주시가중적민족색채개시소은。
The most profound change in Guizhou poetry in the new century, in contrast of those during seventeen -year period and new period, lies in the change of lyrical subject from＂we＂ to＂I＂. During the transition process, the creative imagination of poets improved from dull to rich; The＂ emotion＂ and＂ scene＂in the works gradually became integrated from separation, and＂ reality＂ and＂ illusion＂ gradually became harmonized from conflict. At the same time it has opened up another layer of individualized space, where the complex feelings of individual~ soul are highlighted in the tendency of＂tuming inward＂, causing the color of nationality in Guizhou poetry start to fade.