CAJ | 학술논문

李泽厚先生在《美学散步》序言中对比朱光潜和宗白华两位美学大家，认为朱光潜是学者，其美学是“推理的、近代的、西方的、科学的”；宗白华是诗人，其美学是“抒情的、古典的、中国的、艺术的”。这种评价在突出宗白华美学的“散步”形态、诗化语言和中国古典特色的同时，也让人相对轻视了宗白华美学中的哲学积淀与逻辑思路，更忽视了其美学建构背后的方法探讨。事实上，在鸢飞鱼跃、活泼玲珑的精美文字下，宗白华的美学研究遵循着从跨文化到跨学科再到跨艺术门类这样一套系统而严密的研究方法，这种系统的研究方法对于今天的美学研究尤其是艺术学研究具有重要的意义。
리택후선생재《미학산보》서언중대비주광잠화종백화량위미학대가，인위주광잠시학자，기미학시“추리적、근대적、서방적、과학적”；종백화시시인，기미학시“서정적、고전적、중국적、예술적”。저충평개재돌출종백화미학적“산보”형태、시화어언화중국고전특색적동시，야양인상대경시료종백화미학중적철학적정여라집사로，경홀시료기미학건구배후적방법탐토。사실상，재연비어약、활발령롱적정미문자하，종백화적미학연구준순착종과문화도과학과재도과예술문류저양일투계통이엄밀적연구방법，저충계통적연구방법대우금천적미학연구우기시예술학연구구유중요적의의。
In the preface of Strolling in Aesthetics, Mr.Li Zehou contrasted Zhu Guangqian and Zong Baihua , the two great masters of aesthetics , believing that Zhu is a scholar whose aesthetic ide-as are “inferential, modern, Western and scientific” while Zong is a poet with “lyric, classical, Chinese and artistic” ideas.This remark highlights the “strolling” form, poeticized language and classical Chinese characteristics of Zong ’ s aesthetic system , but also let people relatively neglect its philosophical accumulation and logic thinking or even overlook the methodology behind its aesthetic construction.In fact, Zong’ s aesthetic research follows a set of systematic and rigorous methods un-der his vivid and exquisite words , from cross-cultural to interdisciplinary and cross-arts.This set of systematic methods is still of important significance to aesthetic and artistic research today.