CAJ | 학술논문

通过分析希腊悲剧中的日神、酒神精神，尼采指出：荷马所诉诸的日神民族文化的史诗世界，以及随后的抒情诗人阿尔基洛克斯，这似乎是寓音乐于形象的过程，进而他发现，语言作为现象的器官和符号。绝对不能把音乐的至深内容加以披露。而建立在为人类灾难辩护的伦理依据之上的悲剧最能描画这个世界的本质。然而。在欧力彼得斯手中，悲剧死了。尼采驳斥了建立在苏格拉底理论下的有逻辑顺序的欧力彼得斯悲剧．并且，面对建立在“苏格拉底主义”建立起来的自然科学走向悬崖的境况，尼采试图以贝多芬、瓦格纳纯粹的音乐唤起悲剧的重生。使得德意志民族能够从中找到继续前进的新动力。
통과분석희석비극중적일신、주신정신，니채지출：하마소소제적일신민족문화적사시세계，이급수후적서정시인아이기락극사，저사호시우음악우형상적과정，진이타발현，어언작위현상적기관화부호。절대불능파음악적지심내용가이피로。이건립재위인류재난변호적윤리의거지상적비극최능묘화저개세계적본질。연이。재구력피득사수중，비극사료。니채박척료건립재소격랍저이론하적유라집순서적구력피득사비극．병차，면대건립재“소격랍저주의”건립기래적자연과학주향현애적경황，니채시도이패다분、와격납순수적음악환기비극적중생。사득덕의지민족능구종중조도계속전진적신동력。
After the analysis of the image of Apollo and Dionysos in Greek ＂tragoidia＂, Nietzsche found that Homer＇s epic and lyricist Archiloehus＇s works portrayed the world in the form of tunes and notes. Anyhow, words and sentences can not describe the ＂ousia＂ of the earthen world for us thoroughly in tat the essence of the ＂tragoidia＂ lies in the disclosure of heavenly knowledge to mankind so that they can better cope with daunting challenges ahead. However, Euripides killed ＂tragoidia＇. Nietzsche refuted the kind of Euripides＇＂tragoidia＂ based on Socrates＇ rationalism, and he sought the dynamic source for the German nation with his inspirations de rived from the purified works of Beethoven, Wagner, etc.