湖北师范学院学报：哲学社会科学版
湖北師範學院學報：哲學社會科學版
호북사범학원학보：철학사회과학판
Journal of Hubei Normal University（Philosophy and Social Science）
2012年
3期
18-21,43
,共5页
狄金森%自然诗%蜜蜂形象%妇女写作%传统写作
狄金森%自然詩%蜜蜂形象%婦女寫作%傳統寫作
적금삼%자연시%밀봉형상%부녀사작%전통사작
Dickinson%natural poem%image of bee%women writing%traditional writing
如果以西苏《美杜莎的笑声》所论述的妇女写作为切入点,分析狄金森诗歌中蜜蜂形象三个层次,可见妇女写作对于传统写作和权威历史的反叛——妇女写作从传统写作历史中获得解放,自发性走向自觉性,写作代表自身所在群体发声和促进相互理解。
如果以西囌《美杜莎的笑聲》所論述的婦女寫作為切入點,分析狄金森詩歌中蜜蜂形象三箇層次,可見婦女寫作對于傳統寫作和權威歷史的反叛——婦女寫作從傳統寫作歷史中穫得解放,自髮性走嚮自覺性,寫作代錶自身所在群體髮聲和促進相互理解。
여과이서소《미두사적소성》소논술적부녀사작위절입점,분석적금삼시가중밀봉형상삼개층차,가견부녀사작대우전통사작화권위역사적반반——부녀사작종전통사작역사중획득해방,자발성주향자각성,사작대표자신소재군체발성화촉진상호리해。
This paper uses women writing expounded in the laughter of medusa Hélène Cixous as a starting point,through the three level of analysis of Emily Dickinson＇s poetry about bee image to discuss the women writing as a rebel of traditional writing and authority of the history,and how it progresses from spontaneity in traditional writing to consciousness of women writing.The important significance of thought liberation and women＇s liberation clarify the writing value itself as a representative in the crowd and class voice in mutual understanding.
