CAJ | 학술논문

咏雪诗是中国古代诗歌史上充满活力与创造力的领域之一。欧阳修创＂禁体＂,苏轼作＂尖叉韵＂雪诗,后人争相效仿,甚至有人将＂禁体＂扩大到词、赋、曲等文体创作之中,成为一种独特的文学文化现象。将吴应箕的禁体与尖叉韵雪诗置于禁体与尖叉韵雪诗发展史中来考察其继承与发展是很有意义的。特别是从学界不太关注的视角与不太注意的材料来研究禁体雪诗,有利于拓深禁体诗的研究。
영설시시중국고대시가사상충만활력여창조력적영역지일。구양수창＂금체＂,소식작＂첨차운＂설시,후인쟁상효방,심지유인장＂금체＂확대도사、부、곡등문체창작지중,성위일충독특적문학문화현상。장오응기적금체여첨차운설시치우금체여첨차운설시발전사중래고찰기계승여발전시흔유의의적。특별시종학계불태관주적시각여불태주의적재료래연구금체설시,유리우탁심금체시적연구。
Snow poetry is one of the fields filled with vitality and creation in ancient Chinese poetical history.Ouyang Xiu created ＂Jin Style＂ and Su Shi produced snow poetry of ＂Jianchayun Style＂,which were followed by later generations and even extended to the creation of Ci poetry,poetic essay and Qu,and became a unique cultural phenomena.Wu Yingji＇s ＂Jin Style＂ and snow poetry of ＂Jianchayun Style＂ plays a significant role in the history of inheritance and development of ＂Jin Style＂ and snow poetry of ＂Jianchayun Style＂.Especially the study of snow poetry of Jianchayun Style from the perspective and materials ignored will helps deepen the research of the poetry of Jin Style.