CAJ | 학술논문

新年画运动是新中国成立以来第一场声势浩大的美术运动,新年画与新中国图像形成了复杂的互文关系。这种从外部改造艺术发展规律、改造民俗,同时也改造艺术家的运动对以后的美术发展产生了重大影响。它构建了民族想象的共同体,表现了共产党人领导的新政权的现代性诉求。新年画运动追求艺术的功利性,付出了牺牲艺术自律、损毁传统民间信仰的巨大代价。
신년화운동시신중국성립이래제일장성세호대적미술운동,신년화여신중국도상형성료복잡적호문관계。저충종외부개조예술발전규률、개조민속,동시야개조예술가적운동대이후적미술발전산생료중대영향。타구건료민족상상적공동체,표현료공산당인령도적신정권적현대성소구。신년화운동추구예술적공리성,부출료희생예술자률、손훼전통민간신앙적거대대개。
The movement of new New Year paintings was the first great new art movement since the founding of new China, the new New Year paintings and the new Chinese image formed a complex interaction. The external transformation of art development, transformation of folklore, and at the same time the artists movement on the subsequent art development was to produce major effects. It established the national imagined community, represented the new regime led by Communists and the appeal to modernity. New New Year paintings movement pursued artistic utilitarianism, paid the huge price for sacrifices self - discipline of art, break traditional folk beliefs of.