CAJ | 학술논문

梧桐意象、梧桐·雨的组合意象是中国古典诗词中的常用意象。然综观晚唐五代词作，温庭筠《更漏子》（玉炉香）则是第一次成功运用“梧桐·夜雨”意象人词的典范，它对后世词作泛用“梧桐·夜雨”意象影响深远。
오동의상、오동·우적조합의상시중국고전시사중적상용의상。연종관만당오대사작，온정균《경루자》（옥로향）칙시제일차성공운용“오동·야우”의상인사적전범，타대후세사작범용“오동·야우”의상영향심원。
The perfect image of the indus and the perfect image of the ＂night-rain dropping on the indus＂ are both common perfect images in the Chinese ancient poetry and Ci, but when we study all Ci till the later-Tang dynasty to the Song dynasty, we will find that Geng Lou Zi （ fragrance out of the jade censer） by Wen Ting-yun is the model which is the first time using the image of the ＂night-rain dropping on the indus＂ and has a profound influence to the future Ci of using the same image.