CAJ | 학술논문

中唐儒道语境下的张志和，徘徊在“仕”与“隐”之间。以往的张志和研究均围绕其隐逸思想展开讨论，较少回归文本。因此，其作品《渔歌子》五首还有值得发掘和拓展的研究空间。在深度阅读和文化还原的基础上，结合文本叙事场域和书写想象来分析《渔歌子》，尤其是通过对其叙述语境的阐释，可以揭示出作品背后隐藏的“江南”这一核心意象，以及这一意象所承载和传达的真正意图。
중당유도어경하적장지화，배회재“사”여“은”지간。이왕적장지화연구균위요기은일사상전개토론，교소회귀문본。인차，기작품《어가자》오수환유치득발굴화탁전적연구공간。재심도열독화문화환원적기출상，결합문본서사장역화서사상상래분석《어가자》，우기시통과대기서술어경적천석，가이게시출작품배후은장적“강남”저일핵심의상，이급저일의상소승재화전체적진정의도。
Zhang Zhihe, who was in the Confucius language context, wandered between an official and a hermit. The researches done in the past on Zhang Zhihe were all focused on his hermit thinking, and touched little about his texts. Therefore, his work Yugezi is still worth further studying. On the basis of deep reading and cultural restoration, we can reveal the core image that was hidden in the work, and the real intension the image carries and conveys if we analyze Yugezi by combining its text narrative register with its writing imagination, especially through the explanation of the narrative register.