CAJ | 학술논문

如今,建筑学中的诸多实践已经脱离了建造的物质活动,因此,建筑师必须采用多样的绘图方法,其中包括用于研究和探索建造方案的绘图。然而,他们的绘图工具和过程各异,结果也各异。将铅笔在图纸表面划过,不会自然地产生一根连续的线,而是一根变化的、可以在建筑师头脑中激发很多联想的线。更进一步说,空白纸张上每增加的一笔都记录了一个目的行为,并引导建筑师进入到眼前出现的图形结构与其头脑中图像的辩证思考中。致力于图像的绘制,可以引导建筑师们思考相应的建造,从而反驳设计者某些时候无节制的形式想象的野心。
여금,건축학중적제다실천이경탈리료건조적물질활동,인차,건축사필수채용다양적회도방법,기중포괄용우연구화탐색건조방안적회도。연이,타문적회도공구화과정각이,결과야각이。장연필재도지표면화과,불회자연지산생일근련속적선,이시일근변화적、가이재건축사두뇌중격발흔다련상적선。경진일보설,공백지장상매증가적일필도기록료일개목적행위,병인도건축사진입도안전출현적도형결구여기두뇌중도상적변증사고중。치력우도상적회제,가이인도건축사문사고상응적건조,종이반박설계자모사시후무절제적형식상상적야심。
Today, much of the practice of architecture is removed from the physical act of building and architects must employ different graphic means, including drawings to study and explore proposed constructions. Yet, drawing tools and their processes are not the same nor do they produce the same results. The hand moving a pencil across a drawing surface does not naturally produce a consistent line, but one that is varied, producing different associations in the mind of the architect. Further, each additional mark on an empty surface of paper records an act of intention but also invites the architect to enter into dialectic with the emerging graphic construction and their mental images. Attending to the facture of drawing invites the architect to consider the corresponding making of a building to counter the arbitrary willfulness of the sometimes overly rampant designer＇s formal imagination.