雕塑
彫塑
조소
SCULPTURE
2012年
1期
38-39
,共2页
空间%雕塑%客观形式%对应关系%文化含义%“场”
空間%彫塑%客觀形式%對應關繫%文化含義%“場”
공간%조소%객관형식%대응관계%문화함의%“장”
依照词典解释，“空间是物质存在的一种客观形式，由长度、宽度、高度表现出柬。”在人文领域，“空闻”还被扩展理解为“场”，指各方面的对应关系，有蓿广泛的文化含义。立体具备三维而占据空间。
依照詞典解釋，“空間是物質存在的一種客觀形式，由長度、寬度、高度錶現齣柬。”在人文領域，“空聞”還被擴展理解為“場”，指各方麵的對應關繫，有蓿廣汎的文化含義。立體具備三維而佔據空間。
의조사전해석，“공간시물질존재적일충객관형식，유장도、관도、고도표현출간。”재인문영역，“공문”환피확전리해위“장”，지각방면적대응관계，유숙엄범적문화함의。입체구비삼유이점거공간。
The article analyzes the internal relationship and in- teraction between sculpture and space from three levels： real space, virtual space and mental space. The author finally emphasizes that a piece of sculpture is just like a grain of sand in the universe, the material it- self being unimportant, but with thought and behavior of human beings, it gains its temperature and vitality, which gives life to its entity.
