CAJ | 학술논문

中国画从工笔到没骨，从没骨到水墨，一再删繁就简，而笔墨的运用和立意就越发的重要。明末清初的画僧石涛，在绘画和画理上对中国的近代美术史有独特贡献。都说石涛笔墨技法独创，在石涛的《画语录》中可以看到他对于笔墨技法的论述，里面提出了新的概念理解。
중국화종공필도몰골，종몰골도수묵，일재산번취간，이필묵적운용화립의취월발적중요。명말청초적화승석도，재회화화화리상대중국적근대미술사유독특공헌。도설석도필묵기법독창，재석도적《화어록》중가이간도타대우필묵기법적논술，리면제출료신적개념리해。
Chinese painting from the realistic to mogu and then to shuimo, becomes more simple, the bimo application and significance is more important. Shi Tao in painting and painting theory on Chinese modern art history has a unique contribution. People all say that Shi Tao skill is original, in Shi Tao's 〈painting quotations〉 can see his statement of painting skills. It puts forward a new concept understanding.