常州大学学报:社会科学版
常州大學學報:社會科學版
상주대학학보:사회과학판
Journal of Jiangsu Polyetchnic University:Social Science Edition
2012年
4期
77-79,119
,共4页
王履%《华山图序》%意象%艺术形象%审美感受%美学思想
王履%《華山圖序》%意象%藝術形象%審美感受%美學思想
왕리%《화산도서》%의상%예술형상%심미감수%미학사상
WANG Lv%Preface to Picture of Huashan Mountain%image%artistic image%aesthetic feelings%aesthetic ideas
王履的《华山图序》是一篇构思精巧的美学文献,该文精练透彻的论证了许多有关绘画艺术创作的独特见解和经验总结,具有重要的学术理论价值,它在中国美学史上占有重要的地位。在《华山图序》中王履精辟地指出,自然界的客体各具千变万化个性,绘画的"法"要与审美客体的特殊个性相适应,就不能不加以变化和"去故而就新"。即抒发自己的情意,不步入前人的后尘。"就新"一说,不仅深切地抒发了画家主体的审美情怀,而且给观者了一个崭新的艺术形象,从而达到"意溢于形"的创作目的。王履在《华山图序》反复强调"法在华山","法"就是大自然。大自然是艺术创造不竭之源,画家必须以自然为师,丰富自己的内心,再结合心中的感悟,然后才可创作出好的作品。这一现实主义创作方法,王履将其概括为:"吾师心,心师目,目师华山。"这一短短的命题,包含着丰富的美学意蕴和深刻的内涵。
王履的《華山圖序》是一篇構思精巧的美學文獻,該文精練透徹的論證瞭許多有關繪畫藝術創作的獨特見解和經驗總結,具有重要的學術理論價值,它在中國美學史上佔有重要的地位。在《華山圖序》中王履精闢地指齣,自然界的客體各具韆變萬化箇性,繪畫的"法"要與審美客體的特殊箇性相適應,就不能不加以變化和"去故而就新"。即抒髮自己的情意,不步入前人的後塵。"就新"一說,不僅深切地抒髮瞭畫傢主體的審美情懷,而且給觀者瞭一箇嶄新的藝術形象,從而達到"意溢于形"的創作目的。王履在《華山圖序》反複彊調"法在華山","法"就是大自然。大自然是藝術創造不竭之源,畫傢必鬚以自然為師,豐富自己的內心,再結閤心中的感悟,然後纔可創作齣好的作品。這一現實主義創作方法,王履將其概括為:"吾師心,心師目,目師華山。"這一短短的命題,包含著豐富的美學意蘊和深刻的內涵。
왕리적《화산도서》시일편구사정교적미학문헌,해문정련투철적론증료허다유관회화예술창작적독특견해화경험총결,구유중요적학술이론개치,타재중국미학사상점유중요적지위。재《화산도서》중왕리정벽지지출,자연계적객체각구천변만화개성,회화적"법"요여심미객체적특수개성상괄응,취불능불가이변화화"거고이취신"。즉서발자기적정의,불보입전인적후진。"취신"일설,불부심절지서발료화가주체적심미정부,이차급관자료일개참신적예술형상,종이체도"의일우형"적창작목적。왕리재《화산도서》반복강조"법재화산","법"취시대자연。대자연시예술창조불갈지원,화가필수이자연위사,봉부자기적내심,재결합심중적감오,연후재가창작출호적작품。저일현실주의창작방법,왕리장기개괄위:"오사심,심사목,목사화산。"저일단단적명제,포함착봉부적미학의온화심각적내함。
WANG Lv' Preface to Picture of Huashan Mountain is an aesthetic literary work of ingenious design. The work thoroughly demonstrates the unique insights and summaries of experience of the art of painting, which has important academic value and holds a significant position in the Chinese history of aesthetics. In Preface to Picture of Huashan Mountain, WANG Lv pointed out that the objects in the nature have different changing personalities. The "law" of painting should be in accordance with the individuality of the aesthetic objects. The law can be changed and get rid of the old to adapt to the new, which means to express the painter' s feelings and emotions, instead of following the predecessor' s footsteps. The idea of "New" not only deeply expresses the painter' s aes- thetic feelings, but also presents the viewers a new artistic image, so as to achieve the creative aim of "meaning transcends form". In Preface to Picture of Huashan Mountain, WANG Lv emphasized repeatedly that "the law lies in Huashan". "Law" means the nature. Nature is the inexhaustible source of art creation. Painters must learn from nature, enrich their inner hearts, together with the perception. Only then can they create good works. This realistic creating method is summarized by WANG Lv as "I follow my heart, my heart follows my eyes and my eyes follow Huashan". This simple proposition contains rich aesthetic implication and profound connotation.