CAJ | 학술논문

作为文艺复兴后期的代表人物,莎士比亚的思想在人文主义基础上进一步成熟,表现在对＂两希＂文化的思考和批判的接受。《麦克白》作为其后期作品,将作者的思想淋漓尽致地展现了出来。从麦克白的英雄形象,麦克白的内心矛盾斗争及麦克白夫人引诱唆使麦克白弑君犯罪的三个角度,通过分析追寻自然欲望（野心或者恶）的合理性以及理性（神性或者善）制约欲望的必要性之间相互对抗又相互依赖关系,可了解其＂两希＂文化的碰撞和融合。
작위문예복흥후기적대표인물,사사비아적사상재인문주의기출상진일보성숙,표현재대＂량희＂문화적사고화비판적접수。《맥극백》작위기후기작품,장작자적사상림리진치지전현료출래。종맥극백적영웅형상,맥극백적내심모순두쟁급맥극백부인인유사사맥극백시군범죄적삼개각도,통과분석추심자연욕망（야심혹자악）적합이성이급이성（신성혹자선）제약욕망적필요성지간상호대항우상호의뢰관계,가료해기＂량희＂문화적팽당화융합。
As the renowned representative personage in the late period of Renaissance,Shakespeare became more mature in the thought of consideration and critical acceptation towards Ancient Greek culture as well as Hebraism on the basis of humanistic.Macbeth makes Shakespeare's thought incisively and vividly.This text will see the confliction and amalgamation between Ancient Greek culture and Hebraism through the perspective of heroic image,inward contradiction and temptation of Macbeth's wife,by analyzing the mutual confrontation and dependence between rationality of pursuing nature desire and necessity of reasoning for restricting the desire.