CAJ | 학술논문

晚唐桂林诗人曹唐，在道教神仙谱系的基础上，以神话化的艺术思维、诗性的语言来构筑另一个层次分明、体系完备、缥缈空灵、有血有肉、更为生动的神仙世界。曹唐以此来建构他才情缥缈的诗人身份，希望借此进入仕途。神仙世界的想象与诗人身份的建构，折射出曹唐糅合仙、道、儒思想，以仙道为体，以儒为用，事功名与常神仙一体的文化人格。
만당계림시인조당，재도교신선보계적기출상，이신화화적예술사유、시성적어언래구축령일개층차분명、체계완비、표묘공령、유혈유육、경위생동적신선세계。조당이차래건구타재정표묘적시인신빈，희망차차진입사도。신선세계적상상여시인신빈적건구，절사출조당유합선、도、유사상，이선도위체，이유위용，사공명여상신선일체적문화인격。
In the late period of Tang Dynasty, Cao Tang, a poet was born in Guilin, created a fairy world on the basis of lineage of Taoist immortals using the myth of thinking and poetic language in his poetry. It＇s a ethereal world full flesh and blood which structure was clear, system was complete. Cao Tang would like to enter the career relying on constructing his ethereal talented poet identity. This was the reflection of Cao Tang＇s complex thought constituting by Taoism, Confucianism and immortality. He advocated of Taoism and immortality, at the same time, he also wanted to win fame relying on Confucianism. His cultural personality was multiple level.