江苏陶瓷
江囌陶瓷
강소도자
JIANGSU CERAMICS
2012年
5期
5-6
,共2页
粉彩%轧道装饰%审美观念%重构%关系
粉綵%軋道裝飾%審美觀唸%重構%關繫
분채%알도장식%심미관념%중구%관계
mixed glaze%line-carving decoration%aesthetic idea%reconstruction%relationship
粉彩轧道装饰兴起于清代盛世时期，其兴起与清代审美观念的变迁有密切关系。清代满族贵族与汉文化相融合，在盛世奢靡之风下推动了粉彩轧道装饰的兴起，而西方洛可可艺术亦对粉彩轧道装饰的兴起产生显著的影响。
粉綵軋道裝飾興起于清代盛世時期，其興起與清代審美觀唸的變遷有密切關繫。清代滿族貴族與漢文化相融閤，在盛世奢靡之風下推動瞭粉綵軋道裝飾的興起，而西方洛可可藝術亦對粉綵軋道裝飾的興起產生顯著的影響。
분채알도장식흥기우청대성세시기，기흥기여청대심미관념적변천유밀절관계。청대만족귀족여한문화상융합，재성세사미지풍하추동료분채알도장식적흥기，이서방락가가예술역대분채알도장식적흥기산생현저적영향。
Mixed glaze with line-carving decoration rose in the prosperous period of Qing dynasty which is closely related to the change of aesthetic idea. As the integration of Manchu aristocrat and Han culture, mixed glaze with line-carving decoration rose under the wasteful vogue, and the rococo's art significant influ- enced its rise.
