CAJ | 학술논문

在电影《大红灯笼高高挂》中,导演张艺谋通过对悲剧环境的刻画：无处不在的红灯笼,史前时间和孤独的陈府,悲剧场景的轮回,符号化的男权,从而描绘了颂莲所生活的悲剧的外部客观环境,用环境烘托出颂莲命运的悲剧性。此外,导演还赋予了颂莲悲剧受害者和施害者的双重身份,成功塑造了颂莲这一悲剧典型。
재전영《대홍등롱고고괘》중,도연장예모통과대비극배경적각화：무처불재적홍등롱,사전시간화고독적진부,비극장경적륜회,부호화적남권,종이묘회료송련소생활적비극적외부객관배경,용배경홍탁출송련명운적비극성。차외,도연환부여료송련비극수해자화시해자적쌍중신빈,성공소조료송련저일비극전형。
In the film Raise the Red Lantern,the director ZHANG Yi-mou depicted tragic atmosphere,external objective environments in which Song Lian lived,to show her destiny tragedy,these environments including red lanterns everywhere,prehistoric time and solitary Chen shi mansion,the cycle of tragic scene,symbolic male supremacy.Moreover,ZHANG Yi-mou gave Song Lian double identities(the victim and perpetrator) and created this typical tragic image successfully.