CAJ | 학술논문

在隋唐中原文化艺术广泛传播于西域的背景下,7—8世纪的吐鲁番,出现了身份更为多样的书写群体,书写意识更为觉醒,以楷书和行草书为主,民间书法逐渐完成了魏碑体、写经体与唐楷的融合,行草书方面进行了一系列自觉的尝试,可看作唐代后期书法变革在地域、民间的一种先声。
재수당중원문화예술엄범전파우서역적배경하,7—8세기적토로번,출현료신빈경위다양적서사군체,서사의식경위각성,이해서화행초서위주,민간서법축점완성료위비체、사경체여당해적융합,행초서방면진행료일계렬자각적상시,가간작당대후기서법변혁재지역、민간적일충선성。
Owing to the culture and art of Central Plains which broadly diffused at Western Regions in Sui and Tang Dynasty, it was many writers that had various identities, awakened to calligraphic consciousness. Chiefly based on Regular Script and Cursive Script, the folk calligraphy accomplished the introjections which were tablet inscriptions of the Northern Dynasties, Sutra inscriptions developing to Regular script of Tang Dynasty in 7-8 century, there were a series of consciously probes as well as Cursive Script, it became a first signs of calligraphic reform by regional and folk ways in later period of Tang Dynasty.