CAJ | 학술논문

在中国美学史的研究中，朱志荣认为应当重视审美意识史的研究。在研究时，他尊古而不泥古，具有当代视野。在学科形态上，他主张以西方美学为参照，援西而不囿于西，强调中国美学与世界美学的可融合性和互补性。在研究具体器物和文字等方面的审美意识时，朱志荣借鉴和继承了王国维的二重证据法，有力地推进了审美意识史的研究。
재중국미학사적연구중，주지영인위응당중시심미의식사적연구。재연구시，타존고이불니고，구유당대시야。재학과형태상，타주장이서방미학위삼조，원서이불유우서，강조중국미학여세계미학적가융합성화호보성。재연구구체기물화문자등방면적심미의식시，주지영차감화계승료왕국유적이중증거법，유력지추진료심미의식사적연구。
When the researcher studies the history of Chinese aesthetics, Mr. Zhu has such a viewpoint as that the re- searcher must pay attention to the history of the ideology of aesthetics. We can find the ideology of aesthetics in the his- torical creation and the work of historical art. The ideulogy of aesthetics is the base of the history of Chinese aesthetics, and the source of the Chinese traditional aesthetics idea. Mr. Zhu respects the ancientness but does not adulate the an- cientness ; he respects the Occident but never blindly. Mr. Zhu boosts the research of the ideology of aesthetics with the help of inheriting the way of Wang Guowei, which helps greatly to promote the research on the ideology of aesthetics.